Writing

Literature in Translation |

“Labour,” “Piano Factory” & “Without tears the eyes spill by themselves”

“Today I am clutching Mandelstam’s poem like a broken glass, / though it seems not of today, or yesterday, or tomorrow. / A poem explains nothing, / it’s like an orchestra wandering lost in the fields …”

Poetry |

“The Mothers”

“The mothers watched us, / and we watched them, my mother working clay, / Barbara’s mother, long at her easel, Jean’s mother, / swimming and sketching.”

Literature in Translation |

from No Way in the Skin without This Bloody Embrace

“The sirens’ song provides an abridged idea of your / voice. You’re still this broken shimmer tormenting / the mirror of the banality of men.”

Poetry |

Sequences from P I E C E S

“i am / here / once / with you / once / with you / i am / here”

Poetry |

“Translating the Body”

“Our organs sing in different keys / like sirens in a sea of blood. / The body feels before it knows.”

Poetry |

“Ice Cream Truck”

“We will have cones, please. / Vanilla with rainbow sprinkles. / We will have the whole ice cream truck / and the street it is on. One serving / of the fence by the water. The water.”

Literature in Translation |

“The Day Jupiter Met Saturn (Another Colorful Story)”

“From this angle, she looked less like a living woman than a watercolor painting, frozen as if she were very calm, and in fact she was, only she couldn’t feel anything anymore, she hadn’t for a long while.”

Essay |

“The Latest Scar in Time”

“May I clarify more of the ‘crack-up’? The non-speaking self draped itself with a different garter and gown, of the reading and reflective self — a near impossible person to share with others in mixed company …”

Poetry |

“The Lunch Lady: A Pantoum”

“What was her story? We didn’t care. / She was just the lunch lady; / the one who forced us to eat our sandwiches. / I can still see her reaching into the trash.”

Poetry |

“The Needle and the Thread”

“I live inside a book, the girl says to herself / We are all alive inside a book / That’s what you think, says the front door.”

Poetry |

“Histoire” & “Idyl”

“When I lifted my violin, the men at the bar // begged for Skynyrd, not Coltrane. / So I volunteered to be lonely.”