Poetry |

“Matches Ghazal”

Matches Ghazal

 

 

Working through a regiment of dull-headed sleeping soldiers to find a willing match,

I smell a ship, a bed, a damp house. Such heat cast by a life measured match by match.

 

It begins in the rare books aisle: a request, then an invitation. On the pavement, we watch

noonday traffic yawn. You pull two cigarettes from your pocket and I offer you a match.

 

Small talk, wine, homemade ragù, more wine, then surrender, lubricant, your bed

a mattress on the floor. Locked bodies confuse the moves made in a tango and a match.

 

Late summer evening in a beer garden, drunk, you slam down your pint glass, smack

foam from your mouth and announce I could be good for you, yes, even a match.

 

What noises now, on a sedate suburban night? At the end of Catherine Road, a willow

dips her fingers in black ink. The wind hisses through them like a suddenly spent match.

 

We strike, fail, strike, it doesn’t catch — the gesture is too timid or too strong. Which

person’s story to believe when at sunrise the bruises on each partner’s body match?

Contributor
Catherine Gander

Catherine Gander is co-editor with Stefania Heim of Beyond Ourselves: Contemporary Poets on Muriel Rukeyser (West Virginia University Press, 2026). Among her other published books are the monograph Muriel Rukeyser and Documentary: The Poetics of Connection (Edinburgh University Press, 2013, the edited collection The Edinburgh Companion to Don DeLillo and the Arts (Edinburgh UP, 2023), and the poem sequence Matches (Verve Poetry Press, 2024).  She is completing a book on “Extending the Document: Contemporary Transmedial Poetics” and is Associate Professor of American Literature at Maynooth University, Ireland.

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