Poetry |

“Tragedy By the Sea”

“Tragedy By the Sea”

After the 1955 Pulitzer photo of the same title

 

 

In rapture tales, we /

disappear if faithful:

Those days at the zoo, preschool, the alphabet, the periodic table. /

What are lighthouses

for? /

Us, our anniversary, our years of leaving ourselves behind, /

                                                                                                our girls rushing into receding

waves to sate a magnetic madness. /

We half-sleep in hot dunes while gyres

of plastic trash form islands beyond our sight: /

 

*

 

To pass to decline to rust to open /

to last to recline into must to darken–

We’re here with what’s left /

of wisdom on silk-screen t’s,

here to see the seaplane drag a marriage /

proposal across the sky, to feel

the sun touch its lost twin atoms within /

us, our archaeology:

given that a building can be /

wholly /

windows, that a species can be a billion drones

with only one real queen, /

we can seem real for years.

 

*

 

After all, Earth’s oceans formed from several hundred million /

years of constant rain

& tonight, the lifeguard chairs empty & the sand /

shifts, & though it’s banned, one can climb

them to ask, /

was there ever such a thing as us?

Us, the end of a long montage, here /

to hear the pattern behind all

change while our children’s shadows /

seed the deep,

while a white-haired man with a marine /

tattoo brushes sand into a sculpture of his lord.

We’re here to wonder is that which we’ve built /

along the shoreline, the all-you-can-eat,

live-show-every-Friday, rooftop party, /

a good idea? What does prayer feel

like anymore? Breaking bands that glow /

like poison around our wrists

freeing us to see the night? To sing broken /

whale song to fuss to smooth

into quiet discomfort to deepen toward /

to fast to trust the choice to seep into vast design.

 

*

 

To lust to rouse the self into work /

& hope to sharpen to design

a room for a child to grow

away–

& knowing we’ll be bored with age

one day & want

to see how time played

Us, to take

a picture.

Contributor
Bill Neumire

Bill Neumire‘s second poetry collection, #TheNewCrusades, was a finalist for the Barrow Street Prize. He reviews books of contemporary poetry for Vallum and for Verdad, where he also serves as poetry editor.

Posted in Poetry

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