Poetry |

“To Gratitude” & “Leaves of Him”

To Gratitude

 

You expand my pajamas, stain my nursing kimono, seep from twisted sheets

between my knees until I rise.

You power the vibrating alligator that coerces the cheeks and tongue

of my two year old to talk.

Hand over hand, leg behind leg, you teach him to function while you sew

the broken helix on his chromosome fifteen.

You pack his instructions, toys and two lunches, and invent another

first avenue song.

You bend his tortus neck toward his swaddled brothers who barely wheeze

through endotracheal tubes.

Tapping tiny breastbones, you break the bradycardia that holds his siblings

here in plastic bassinets.

You secure his weight to my mastitic chest for our forty-third bus ride

from hospital to home.

You coat his saliva rash with petroleum jelly, coax him to eat a smashed avocado

and swaddle him, too.

Last look to the baby monitor screen — you crawl across carpet squares

and slide out the apartment door.

 

 

*     *    *     *     *

 

 

Leaves of Him

 

After the ruined den empties

of pea-sized blobs that used to be push pins

and a two-step cherry-wood library ladder

and a hand-woven rug, singed fringe waxy,

she pulls one book, indistinguishable

from other charred spines, off the shelf

and cracks open A Light in the Attic.

Stocking stuffer just before his death.

Corner folds, some dog-eared

deeper where he paused for laughing

or attending to a drink, a Manhattan

during the week, Budweiser on Saturday.

Hickory ash from pipe-smoked winters

smeared by friction ridges into channels.

Swirled sweat. Skin cells,

original carbon copies of him,

measured to the millimeter.

On “Hippo’s Hope” a tuna trail

from a sandwich stuck

with her holiday note

I love you Irishman!

that slid off the cellophane.

The same note, flattened

into the crease of “Whatif.”

She skims one fingertip

over brittle pages. Discard these leaves?

Finish the burn in a backyard heap

or tag-sell them to strangers

for their birdcages and charcoal grills?

Yet the most damaged sheets, scallop-edged

in brown and yellow, stinking

of smoke that smothers

pungent tobacco, harbor him.

She sends the book, sends the lot,

to be restored. When they return,

all of Silverstein will be

midnight blue.

Contributor
Suzanne Farrell Smith

Suzanne Farrell Smith is the author of The Memory Sessions, a memoir about searching for lost childhood memory; and The Writing Shop, a teaching guidebook. She was awarded a Pushcart Prize for her Brevity essay “If You Find a Mouse on a Glue Trap.” She teaches at Westport Writers’ Workshop and publishes Waterwheel Review.

Posted in Poetry

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