Poetry |

“The Musicians” and “After His Stroke”

The Musicians

—after Picasso’s “Three Musicians,” oil on canvas, 1921

 

Uncle Albert laughed he sat backwards on the piano stool he reached back for a chord a halting

melody

 

Roger slipped in under the piano he barked once twice his tail keeping time between Jean’s feet

 

Jean with his scratched glasses my father’s oldest friend Jean with his limp that didn’t matter now

his clarinet’s starry-night shine its husky groan

 

before one song could end another began first “Weary Blues” then “Dead Man Stomp” then

“Stop-Time Rag”

 

piano hands Mother called it how Uncle Albert’s moved even on the couch even drifting off

fingers shaping chords in his sleep

 

Father tapped the piano lid like a drum Mother strummed her washboard Aunt Adelaide sang

“No One But You”

 

the best songs are fast songs Uncle Albert said they end too soon

 

too soon streetlamp light slipped between the curtains it fell in stripes over their shoulders over

mine

 

because I played too my violin light as a bird under the bow I was afraid to let go so sure it

would fly

 

*     *     *     *     *

 

After his Stroke

 

Uncle Albert frowned

he slouched once

more at the piano

one hand on the keys

 

the four keys he kept

touching tapping he

kept pressing

sometimes pounding

 

afternoons a faint

tickle a stutter of

knots nots notes nights

and days he’d be at it

 

jumbled letters a ring

of jangling keys

that tangle of strings

he kept looking for

 

the combination

to unlock melody kick

off a song take him

back to “Maple Leaf

 

Rag” or “The Easy

Winners” the tune his

lips couldn’t make shapes

to say the song his

 

foot once kept time to

his fingers could play

all night especially when

he closed his eyes

 

Contributor
Matthew Thorburn

Matthew Thorburn’s latest book of poems is The Grace of Distance (2019, LSU Press). He works in corporate communications in New York City and lives in small-town New Jersey with his wife and son.

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