Poetry |

“Intermezzo” & “My Mother and Robert Penn Warren”

Intermezzo

 

It was winter. A week

since my husband had eaten

or swallowed water.

 

At the end of La Bohème

Rudolpho gives Mimi a muff

to help keep her warm.

I thought of that as I held his hand.

It was midnight, an hour

until he let go of mine.

 

A month later workers in crematoria

stacked bodies ceiling high.

Hospitals ran out of rooms.

No one sang except on balconies

from New York to Rome.

 

I was left to grieve on my own.

 

Intermezzo, I called that time.

Entr’act.

 

It seemed miraculous when at last

the sopranos and altos came back.

Applying makeup to their naked faces,

scaling octaves again

 

divas offered their confections

to the bereaved who returned

cautiously to concert halls

for high notes,

hungry for the familiar librettos.

 

Truth said, I prefer plainsong.

The way it resembles a poem.

 

Or bird song. Pity-pity-pity

I repeated to myself

for so long, what cardinals chant

before dawn.

 

Why am I telling you this,

you in your separate room,

if not to ask you to sing

with me now?

 

 

⟐     ⟐     ⟐     ⟐

 

 

My Mother and Robert Penn Warren

 

 

Having never met him, my mother sent

     a sample of my poems to the famous poet,

apprising him of my predicament:

 

     two young sons, no money

and a deadbeat husband. All these years

     since nineteen-eighty-six,

 

I’ve had the reply he typed on a postcard

    that included his return address,

because yes, he did write back to my mother

 

     (the dear man) to say “the poems are,

I feel, impressive. But as far as the MacArthur

     Foundation is concerned …”

 

Had I only known my mother’s intention

     I’d have stopped her

before she dropped her letter

 

     into our mailbox, before she raised

its red flag. (Could anything

     have been more embarrassing?!)

 

Decades later in a restaurant

     she approached Toni Morrison.

Too well I can imagine those two

 

     exchanging pleasantries

until, like a slot this time for mail,

     an opening allowed my mother to insert

 

my name into the conversation. Why not?

     she’d challenge me. Why not pick up

the phone and ask for what you want,

 

     marry one man or leave another,

spend what you’ve got, let your hair down,

     take a nap when your baby is sleeping?

 

And don’t worry if you’ve told a story

     more than once, she’d say, reminding me

of the one about the writer

 

     she couldn’t forgive

for making her look ridiculous

     at a Q & A when he snapped:

 

“Everybody’s daughter is a poet.”

     I won’t tell you his name,

but my mother would.

 

 

To read Allison Funk’s poem “Great Egret,” published here in 2022, click here.

Contributor
Allison Funk

Allison Funk’s seventh book of poems, This Late, is due from Slant Books in 2027. She is a 2022 Fellow of the John Simon Guggenheim Memorial Foundation. Recent poems in Ploughshares, The Common, Narrative, Poetry Northwest and Image. She is a Professor Emerita at Southern Illinois University, Edwardsville.

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