Poetry |

“The Chalk Pig”

The Chalk Pig

           

… and the child draws another inscrutable house.

Elizabeth Bishop, “Sestina”

 

 

I did not know then Nothingness.

Snow was white and cold and I ate it.

Under the white sheet

in the operating theater, I looked up at

a galaxy of stars while a man covered

my face with a mask and slowly

dropped ether on it till my eyes closed.

Underneath, I watched a cartoon:

A star came and stopped on top of a house,

then a pig dressed in a nightshirt and cap came out

the door and carried his house from under the star.

Again, the star floated over the pointed roof.

Again, the pig carried it away. Again and again.

The house, pig, and star were as a child would chalk

them on a slate. Where I was, was pitch dark.

I was alone in it,

with a sound like a chirp

or what a broken windowpane might make

as its pieces fell slowly to the floor.

Or say, rather, if a star could sing —

if it could play a piccolo …

Now, seventy years later when I shut my eyes,

the pig is still moving his house in the night,

a house not even night can erase,

and I cannot say what the sound is like.

When I sink down beneath consciousness,

beneath sleep, beneath the pixels and digits

of unassembled life into pulselessness,

will I become a chalked man shifting his

inscrutable house beneath a baleful star?

Contributor
Norman Lock

Norman Lock is the author of The Old Man and the Heath: A Novel and Stories (forthcoming from Bellevue Literary Press in March 2027), the dozen volumes of The American Novels series, the short story collection Love Among the Particles, and additional novels, short fiction, poetry, and stage and radio plays. Among other honors, he has won The Paris Review Aga Khan Prize for Fiction, received a National Endowment for the Arts fellowship, and has been longlisted three times for the Joyce Carol Oates Prize. He lives in Aberdeen, New Jersey.

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