Poetry |

“Little Soul Contemplates Skin as the Largest Organ of the Body”

Little Soul Contemplates Skin as the Largest Organ of the Body

 

 

Smooth wing singing on air —

in bed at night I would start

the story, Once there was a little girl …

but couldn’t think what came next.

I wanted to be heard by

 

everyone in my life exactly as I

sounded to myself, wing, singing, but the words

kept imploding like the fragile

soap bubbles I tried to blow gently

to the top of our elm — so I’d pretend

 

I was Davy Crockett, wounded

in the shoulder, finally resting, certain

the Alamo would hold, and my faithful

horse would soon carry me home.

I must have wanted to wrap myself

 

in something that would bend

but not break as I moved through

the day’s white water — the reprimands

and questions, large people coming

in and out of any room to bump

 

against my thoughts — the way I imagined

a cloud would hold, if I landed from a great

height — a little giving ground, a little

firm sky. I must have been seen as a sulky kid,

a walking scab, and wanted just to get by.

 

From the valley that cradles me now

I straighten up and peer over the rim

like the sun. I touch my shoulder. It’s

nearly healed. And the heart? A sapling.

A flowering. An old tree full of nests …

 

For the child who couldn’t find

an ending but learned to build poems

out of twigs, I breathe a thanks

long in coming — and for the mountain

that keeps its shape beneath swaths

 

of fog — and for the friends

who have breathed their stories

over mine, flowing in and out

of homes I have lived in,

the walls inhaling and exhaling

 

to hold us — and for the tall horse

that has carried me along dunes

and ditch banks, giving me something

like wings, though he is sometimes

afraid of shapes in the wind.

Contributor
Leslie Ullman

Leslie Ullman is the author of six poetry collections, most recently Little Soul and the Selves (Three: A Taos Press, 2023) and a hybrid book of craft essays and writing exercises titled Library of Small Happiness. She teaches in the low-residency MFA Program at Vermont College of the Fine Arts and lives in Taos, New Mexico.

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