Poetry |

“Like Sorrow, Or A Tune,” “True Enough,” “Every Hour on the Hour” & “Things as They Are”

Like Sorrow, Or A Tune

 

— Finally, I show up, dirt beneath my fingernails,

telltale sign — I’m ok after all —

everything else running behind too but also on time.

Like the late spring frost that killed the dappled willow

the year my mother died, one and the same.

I grow dahlias there now; talk to her just whenever.

Is anyone else wondering what Pope Leo is up to?

I mean, in a good way. That one picture, radiant,

a young man, he couldn’t have known, could he?

I want to warn the geese in the street, but no need.

I want to give special mention to the chipmunk

at home beneath the front steps, his coat so glossy!

He ate the pansies and left a marble. Alright, fine.

Gentle grassy island of old pines and one picnic table,

can I be you when I grow up?

 

 

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True Enough

 

Does this butterfly want to be my friend?

Well, I’m busy in middle school again,

reading Nancy Drew at a picnic table

on a farm long quiet, sealed tight.

Summer time-travel is my specialty.

Spend the day dreaming, the night

awake, not worried but also not not,

thinking of the bear I saw here once.

Standing on his hind legs, he ate berries

I wouldn’t have even thought to want.

 

 

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Every Hour on the Hour

 

Church bells and honeysuckle.

Both invasive? Well, anyway, I like them.

My fake problems too: a stuck door,

literally — my own home! — and metaphorically:

the main character in need of a push.

Per usual, I’d prefer clarity without words,

so naturally turn to what I’m least suited to.

A novel should feel like you’re in good hands.

Maybe church was once this way —?

I still go, sometimes, I’ve got history;

affection for the memory is just my style.

 

 

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Things As They Are

 

She knows how Jesus works, said the man on the news

of his little daughter who lost her mother.

What? Turn up the volume.

 

Same day, I hid behind a lilac bush

to avoid nosy neighbors who thought they knew my mom years ago.

 

She’s in heaven now and can’t be pinned down.

 

If asked, I’ll say I hear from her.

Or at least drive by the ugly building where she had her nails done

(first time ever), did arts & crafts, and died.

 

I’ve kept one painting, wobbly blues and greens, waves and trees.

Or is it upside down? Should I turn it? Trees and sky?

 

Both ways look right, and wrong.

It’s weird how I’m not a little girl anymore.

Contributor
Mary Ann Samyn

Mary Ann Samyn’s new poetry collection is The Return From Calvary (42 Miles Press). She writes on Substack at Cake & Poetry (maryannsamyn.substack.com) and divides her time between Michigan and West Virginia, where she teaches in the MFA program at West Virginia University.

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