Poetry |

“Homage to Lucille Clifton,” “Three Skinny Mormons” and “When In a Time of World-Wide Plague”

Homage to Lucille Clifton

 

on the difference between
eddie murphy and richard pryor

eddie, he a young blood
he see somethin funny
in everythin   ol rich
been around a long time
he know aint nothin
really funny

— Lucille Clifton

 

 

I hear two voices from the rallies

one brings tears to my eyes.

 

This isn’t hope, it vehemently says.

We doin’ this

whatever it takes.

 

The sounds of the rally can be heard behind

her young impassioned voice:

irregular, alive.

She barely has time to give the interview

 

so many tasks await her

safety committees food first aid

and transportation.

 

We are tired, says an older angry voice.

We been sayin’ this

forever.

 

 

*     *     *     *     *

 

 

Three Skinny Mormons

 

Poets!

Unless you’re Rumi, abjure

the imperative

— please!

Regularly telling us to love what is

travel light

look up

and so on.  Plus

 

lose the pointing gesture

as if you’re so blissed out on the present moment

that all you have to say is

cheep cheep cheep or blackberry blackberry blackberry

meaning

 

it’s all there if you have ears to hear

the wild geese overhead.

You know who you are

 

and so does every yoga teacher from here to Hawai’i; not that this

is anything new

 

e.g., Rilke in maybe 1899 stepped up to the plate with

“Let everything happen to you, the beauty and the terror,

bah blah blah.” You

 

talkin’ to me, pal?  Let me tell you ­ –

that ol’ beauty-and-terror

will roll right over you in any case

whether you let it or not.

Now I’m sitting on the floor in Half Spinal Twist

(Arthamatsyendrasana to those in the know)

and a dharma teacher on my iphone is smoking hot.

 

I love this guy!  He’s got hold of some

profound thing about what we hopelessly want

of our minds, just what I need today

 

but he says things like “if he would have done it right”

and “that was literally a bombshell” and I’m sitting here in Twist

silently

correcting his grammar

 

every time. Next day three skinny Mormons

on my doorstep when I get home.

You know the drill:

black pants, white shirts,

 

fellow human beings

burdened with an intolerable truth they’re desperate to

offload. “These things are true,” one actually says

with burning eyes.

“I have evidence,” says his frantic friend.  I don’t think

 

as I sometimes do

of the world-wide consequences this crap can have

e.g., last night’s images of a migrants’ camp so inadequately served

the whole place stinks of feces and wads of used white toilet paper

line the roads.  I don’t ask them in a rage,

 

HOW DO YOU VOTE?  On the other hand,

in spite of everything I know and mean to be

 

neither do I listen

and take them at their best

and play their best back so they can see that they are

very good

 

and are seen

by people like me

and even loved as Jesus meant us

to love one another.  I don’t do that, God help me.

Like the cock that crowed when Peter denied the Lord,

instead, I laugh three times before they leave.

 

“Why talk about the dharma?” asked the great

Zen Master, Charlotte Beck.

“My job is to notice how I violate it.”

 

 

*     *     *     *     *

 

 

When In a Time of World-Wide Plague

 

When in a time of world-wide plague

you take a walk and feel great –

 

veering into the empty streets to avoid other people

 

raising a hand in greeting and thanks

when they avoid you –

 

the badly-repaired potholes underfoot

the more-or-less grotesque wild turkey flock that lives

in your neighborhood –

 

just being in the ungovernable air, the drizzly day,

the sky, parked cars, nothing to do with your plans or regrets –

 

you may say to yourself,

 

we’ll always have Paris!

meaning, if things go seriously wrong, pandemic-wise,

you can remember

the walk you took that Tuesday, today,

striding like Chikusai into the wind.

 

Was there ever a stupider thought?

You know you can’t keep …

 

anything; nor does your future

isolated

intubated

self care one bit

about your fabulous walk.

But

 

who will buy

this wonderful feeling?  as it says in the song.

You could tell someone later, you suppose –

but that never works.  Your mind darts off to India

 

where someone else is out in the world and

if not elated still

thoroughly content.

 

Arched on his cart, face to the sun

he is about to take a nap

around him seethes Mumbai

biking and hawking and crossing the street.

 

Where is that photo now?

His orange plastic wares are lumpy

but comfy

and the sharp world blurs.

You doubt that man is still alive.  And yet …

 

Slow down,

he seems to tell you kindly from the Other Side. Take this. 

And here –

I’ll share your bliss.

 

Contributor
Linda Bamber

Linda Bamber is a fiction writer, poet, essayist, and Professor of English at Tufts University. Her recent fiction collection, Taking What I Like and her poetry collection, Metropolitan Tang were published by David R. Godine, Publisher. Widely reprinted and anthologized, her critical book on Shakespeare, Comic Women, Tragic Men: Gender and Genre in Shakespeare, was published by Stanford University Press. She is currently writing a novella based on the cross-country expedition of Lewis and Clark.

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