Poetry |

“Biopic” and “Resting Bitch Face”

Biopic

 

It was a relief to be told, in sixth grade,

that people knew I was a virgin by my walk.

There was no need to pretend anymore,

since my footsteps told all, or my face

flashing its which-fork-do-I-use vibe.

Look at me drunk, lost, turning to the moon

for answers, on a bridge dropping bread

to slime-backed turtles just in case a director

needs details for the movie of my life. It’s a sad tale

of how sometimes I got sent to bed early,

while it was still light out. I don’t know why.

But I had an afghan of neon granny squares

and V. C. Andrews books to read in secret.

I had another diversion, which was to isolate

one bump on the popcorn ceiling and try never

to lose sight of it, even when I blinked. Sometimes

I was the speck, backtracking through space

and time to find my own lamp-lit window.

I was the icon housed within, my braids

pulling apart as I peered through darkness

at the willow tree across the street. That summer

I highlighted every word in The Witch 

of Blackbird Pond and fed the pages to a river

with a Choctaw name, thus completing the ritual.

 

 

*     *     *     *     *

 

 

Resting Bitch Face

 

The horror of finding myself documented

unawares in a photograph taken while I cheered

at my son’s wrestling meet produced a shock

for which I was unprepared. My girth

was unfairly measured by the lens,

 

and though I have, in recovery from an injury

sustained while lifting weights competitively,

gained both softness and kilos, such changes

are not pronounced to the degree that the image

leads the onlooker to believe. Additionally revealed

 

is my double chin, emphasized by a covert attempt

to check my phone. Slight gut, momentary double chin —

these imperfections are easily explained.

But the phenomenon of my resting bitch face —

that prime unflattery — frankly, I wish Archimedes

 

or some other genius of classical antiquity

would chime in to solve for this scowl, worn here

in a moment of what I recall as mirth. A scowl

so exquisite that my son, pausing between victories,

notes that it is meme-worthy, and while his comment

 

was meant in jest, my face contorts, now sporting

the grimace of one who tasted a spider

when expecting honey on the tongue, or who realized

that his wave to the stands was intended not for me,

but for a girlfriend who possesses the thinness

 

and personality of a paper doll. The epiphany strikes

like a hen peck from behind. Am I bitchy?

Or even worse, bitter? True, my jokes are mean,

and I talk shit, and left unguarded my lips smash

into a frown. But I’m powerless over this tendency

 

to ponder myself into a grumpy swoon

while my kaleidoscopic mind bounces from thought

to thought. With shame, I dredge up the memory

that I wore this face in my first picture

with you, my son, when you were just born.

 

I was exhausted, and I had blood in my hair,

and all I could think was that I would die if you ever

pierced your ears. Now you can do whatever

you want, because to me, you seem like a god.

And I pause here to tip my honeyed wine

 

to Sappho, her lost words ever on my mind. Sappho,

another straight-mouthed beauty, her poetry

so revered her face was stamped on coins.

The Greeks idealized the restraint of her

archaic smile, but I see impatience written there,

 

as though she knew her value would be diminished

by the touch of many thumbs. In her face I see

myself, lips hiding a snarl, corners of the mouth curled

to stifle what I could unleash, delicious, divine

execrations on stand-by courtesy of the muse of mean.

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