Poetry |

“The Trucks” and “In My Country”

The Trucks

 

When the trucks no longer

carried bodies

they carried deodorant

 

Christmas trees

scented candles

sides of beef

 

cigarettes honey bees

eye shadow

cheap perfume

 

they carried microchips

chicken parts prosthetic

joints spiral hams

 

condoms avocadoes

almond butter

vats of pills

 

they carried snow

that had accumulated

in a foreign square

 

the sensation

of diving into water

voices shuttling

 

across a table a galaxy

of traffic noise

arriving and arriving

 

into the economy

we were floating on

the trucks were floating

 

sealing the mouths

of loading docks

cut in the walls

 

at the back of town

they pulled away

into night air

 

full of cargo

wrapped and shut

and carefully tracked

 

we couldn’t wait

to unload them

 

 

*     *     *     *     *

 

 

In My Country

 

Mass graves outside the city

 

Long straight trenches

Industrially made

 

Caskets lined up perfectly

 

Like xylophone keys

A squat yellow bulldozer

 

Waiting to darken them over

 

(The drone that lifted this image

Into its hovering brain)

 

Snowfields unraveling

 

Into streams dark rivers

Cutting the prairie

 

The voiceless natural world

Opening

 

Foxes in the meadows

Coyotes in the alleys

 

I keep moving through

My tunnels in the air

 

I’m in the kitchen for water

 

Three in the morning

My neighbor’s radio

 

Spilling news across the yard

 

In the terrarium light

Of the ICU

 

Sick beds

Lined up perfectly

 

An instrument

 

Is what I think of

When I see such order

 

The machines breathing

Lifting and falling

 

Is the music of the State

Contributor
Wayne Miller

Wayne Miller is the author of five poetry collections, most recently Post- (Milkweed, 2016), which won the UNT Rilke Prize and the Colorado Book Award, and We the Jury, which Milkweed will publish in spring 2021. His co-translation of Moikom Zeqo’s Zodiac (Zephyr, 2015) was shortlisted for the PEN Center USA Award in Translation. He teaches at the University of Colorado Denver, co-directs the Unsung Masters Series, and serves as editor/managing editor of Copper Nickel.

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