Poetry |

“We Drew Out the Feeble Language”

We Drew Out the Feeble Language

 

 

Vienna in August and we walked

Klimt to Mozart, drank

Wiener wasser, a phrase that made our odd

 

American hearts laugh,

ate roasted chicken

at the Landtmann, Freud’s favorite café,

 

bought a painting of the cityscape

under a storm, napped

in a park until the sun

 

went down and walked

to a church bench to sit.

Still —

 

the city was a mouth

of ivory statues and red carpets,

a language of splendor

 

we were not born to.

Then, from a chain link fence

like every chain link fence,

 

a family in burqas, black button up shirts

waved in the street light.

They beckoned — that oldest gesture

 

of welcome — held up teacups.

Refugee floated like a cloud

above them, the way Tourist hovered

 

above us. They offered us tea

and pieces of English and their faces,

bright as stars

 

in the spacious night.

They offered themselves and we drank

each other’s company.

 

Then foolishly, foolishly,

we drew out the feeble language

of American money. A language

 

they did not know

or need. It was not bread

or tea. It was not friendship

 

though we held out our hands.

I have told and re-told this story

like I’m picking apart

 

a knot, trying to find the center,

what’s tangled where.

There were no clouds, no words

 

in the air. We were all reaching and broken

and utterly human.

And like the bright, wise doves

 

roosting in the city, they cooed

then gazed

then turned away.

Contributor
Sunni Brown Wilkinson

Sunni Brown Wilkinson is the author of the poetry collection is The Marriage of the Moon and the Field (Black Lawrence, 2019) and the chapbook The Ache and the Wing (Sundress Publications). Poems are featured or forthcoming in Missouri Review, Terrain, New Ohio Review, and South Dakota Review. Sunni’s work has been awarded the Joy Harjo Poetry prize, the Sherwin Howard Award, and New Ohio Review’s NORward Poetry Prize.

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