Poetry |

“Rejection as Considered Through a Close Reading of Elizabeth Bishop’s ‘The Fish'”

Rejection as Considered Through a Close Reading of Elizabeth Bishop’s “The Fish”

 

It bumped up beside my boat,

a tremendous rejection bumping against my boat.

I thought, Wow — that looks like hooks in its mouth.

It hung, “a grunting weight,”

dotted with commas like sea-lice.

Not only that, it had terrifying gills

“fresh and crisp with” my blood.

I thought: Well at least I went through

Submittable

and this rejection is not packed in an envelope

with bones, the little bones, the bigger bones.

I was impressed by the mechanism it set up

to reject me. The mechanism in my chest,

mechanical like the jaws of death.

My lower lip trembled.

Good god, I felt like an angry teenager or Ovid.

I’m chained to a rock and crows are eating my liver.

But no, this rejection was aquatic,

and it bumped against my boat again,

half in and half out of the water.

It was a prize winning rejection

bearing tattered medals.

It was so shiny, and it was spreading oil

like a terrible tanker.

It was all teeth and long beard,

the “beard of wisdom,”

whereas I am a woman, beardless,

and aching and suspicious of wisdom.

The rejection brimmed over the boat.

It was everywhere I looked and also

clamped inside my liver

and weirdly at the tips of my fingers

and swimming behind my eyes

like a hollowed-out monstrous zucchini

the size of an unreluctant dildo.

I counted. Yes, there were at least five hooks

in its mouth and it was telling me:

Why are you writing so much?

Have you forgotten you’re not interesting?

Through big gills it kept on breathing,

a polka dotted raggedy thing

hammering my boat with its arrogant swim bladder.

It was like the tipping

of a jar of old mayonnaise in the refrigerator.

In its day it broke the lines of the biggest writers,

bigger and bigger and bigger,

the kind of writers who never worry about paying rent,

the kind with book tours!

And as I held the rejection

over the boat I stared and stared.

Oh what a victory for the rejection.

I stared, like I just said,

I stared.  And that’s when

the rejection battered me

with my boat’s own gunnels—

whatever those are–

until everything

was no-no, no-no, no-no, no!

And it let me go.

Contributor
Lee Upton

Lee Upton’s most recent book is Visitations: Stories (2017, LSU). Her seventh book of poetry, The Day Every Day Is, was awarded the 2021 Saturnalia Prize and is forthcoming from Saturnalia in 2023.

Posted in Poetry

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