Poetry |

The Poets of Martha’s Vineyard / part 3

Four Poems by Adriana Stimola

 

 

The Night Buoy



The thing

about the ring

of the night buoy

is that it reminds me

that I’m also floating,

a bobbing mouth, crying out —

I’m here. The wind

is blowing. (The wind

is not blowing. Talk to me.)

on a sea of unseen things (all teeth,

and tentacles and rooms

made of ribs) that circle

and one day

will swallow me whole

but only after

it feeds me

and calls me by

my night name.

 

 

◆    ◆     ◆

 

 

On Saturdays

 

Sometimes sun or sound will sweep me

into loop of Saturdays:

 

asking Dad about “Bloody Sunday”

in the car, on the way to Sears

where I’d stare at all the bras and hope

he wouldn’t see. There’s a war

where Grandma was born. I wonder

if that’s that why she didn’t have much

to say. She did have M&Ms and cigarettes

and what seemed no expectation

of the kind of kid I’d be. I didn’t know

that silence was the fence

that kept her kids corralled

and looking for the trough;

 

I’m putting money in the meter

as we go see Mike the Barber

where I learn that there’s a secret rip

in time that shows forever — fans

of arms that taste like pineapple Dumdums.

It’s a trick of bouncing light, Babe.

Even that feels made for me;

 

the brass bar to pull the drawer

on his bedside table rattles

every time he lets it go. He let me

finger through buttons, rub that braided

silver cuff he’d wear and all the plastic arrows

he saved from his Teaching collars

and sounded like rain.

 

I notice my today’s head tilting,

chin up to welcome the fall

of invisible lace and lollipop wrappers,

hairspray for men and those pointed shirt things —

what are they called…

Stays? — from the other side of the mirror.

 

 

◆    ◆     ◆

 

 

Grapefruit

 

They were a pile of suns on the Saturday table,

in the light of the window where the birds came

for their breakfast too. I would watch my Grandmother open

each one, the star of their insides out for us,

held with ringed fingers, fingers wet

from wiping counters and cheeks,

some with velvet blue-veins,

some sticky, pink porcelain —

a home in every hand.

 

With sharpened spoons, we traced the edges

lifted pyramid by pyramid, to our mouths,

separated every ruby and swallowed —

pharaohs for the morning.

 

I wasn’t surprised to see them gracing

the cover of 1927 Vogue, hung on the silver wallpaper,

still in the arms of our Grandmother, forever,

with a view of the sea and the jetty

we learned to run, shoeless,

after the patent leather came off.

 

 

◆    ◆     ◆

 

 

On The Lawn

 

It’s the first time I’m

painting Katherine and trying

to follow the rules. I want to make

that cluster of freckles first, but

if I start there, I’ll end up subcutaneous,

blood-water rafting on the way to her

should-have-been-a-dancer-

but-have-no-rhythm feet.

 

I could start with the blue blanket

I forgot I bought when I was sick,

but then I’m warp-hung in fibers,

jumping shuttles back to Peru.

 

Or the tree where we first saw the cardinals

climbing over her summer shoulder, or

the sweating sun dogs halo-barking for me

to start here, and I keep drawing back

the curtains, the curtains,

the curtains.

 

 

/     /     /     /     /

 

 

Four Poems by Warren Woessner

 

 

Two Ravens

 

That day the bird life was routine

in the muddy pond where I was hoping

to find something rare: just two families

of geese feeding along the shore

and an angry Killdeer, fed up with my trespass.

 

Then two huge black birds came into range.

Ravens, all head and beak, looking like drones from hell.

My first thought, one was chasing the other,

defending territory or fighting over a food find.

 

But just as the chaser was about to strike,

the target rolled over onto its back and they locked talons,

and tumbled toward the earth. At the last moment

they disengaged, croaked and were gone over the dunes.

 

I stayed frozen, then began to unpack a poem of dark similes —

full of witches cackling curses and riding black brooms,

Then it hit me — this had been a pair bonding,

or maybe just play, a word we have almost banished.

 

I got the message – summertime living can be easy

if you are a bird as big as an eagle, will eat anything,

and have miles of protected land to explore.

 

Wait a minute, that’s me, standing in the mud

and poison ivy, applauding inside,

hoping for a second act or better yet,

more playtime for us all.

 

 

◆    ◆     ◆

 

 

Fireflies

 

The dog spins and jumps trying to catch one,

like a cat chasing a laser pointer dot.

The dog is always a little late —

the light goes out, the dog bites air

and the beetle flies just out of that harm’s way.

 

We kids learned to wait them out

until one got so close that we could grab it

with cupped hands so gently

that it kept on lighting.

We’d store a dozen or so for a while

 in a Mason jar with holes punched

 in a wax paper lid, until we got bored

 and poured them back to perforate

 the dark woods with their cold fire.

 

 

◆    ◆     ◆

 

 

Hotel Avis

 

I am looking out the window

at the ten birdhouses you hung

in a sort of spiral pattern

on the side of the garage.

“Folk art”, our friends tell us

but I wanted more

than a conversation-starter.

I wanted to provide

below-market housing

to my neighbors.

But two springs have passed

and no one has moved in.

A wren couple even hurt my feelings

by nesting on a porch light fixture.

If you know, tell me why this high rise

is empty when there is no rent,

the roofs don’t leak,

and every door is open to the sky.

 

 

◆    ◆     ◆

 

 

Tight Lines

for Flip Harrington

 

I wish the phone would ring

and it would be you

saying I got bait today,

it’s not too sloppy,

let’s leave the dock at 5 AM

and go over to the Elizabeths

to that spot we found last week

where we caught our limit

in an hour. Then you teased Buddy

on the radio until he left Nomans

and came over to help his fancy clients

reel in some Stripers.

I wish you’d say to invite Sol and Bob—

better fishermen than I’ll ever be—

to go with us.

I wish I’d be able to board your boat

from the bow, remembering to always

hold onto metal, and get into my favorite

first mate’s seat, despite my so-so eyesight

and unsteady feet. I wish I could

set my binoculars on the dashboard

with the strap wrapped around my water bottle

like that spot would be mine forever.

I wish I’d remember to bring a cooler

to chill the filets you cut for us

back on the dock. I wish I could loan you

the book about the Pilar

and tease you about thinking

you are Hemingway’s ghost.

I wish you weren’t a ghost.

 

 

/     /     /     /     /

 

 

Three Poems by Ellen Martin Story

 

 

Sense and Sensitivity  

 

One by one they slip into my front yard –

a fawn: pale, patchy, legs so slender, followed

by its young mother who hangs back behind bush

 

her non-perceptible communication guides

her baby forward towards a small rhododendron.

The fawn raises its ears to pointed triangles

 

eyes open wide to overcome size of its face

as it stares ahead until reminded by hunger

bends to nip a leaf.

 

A mere moment passes – baby

stops nibbling looks back and mother

appears like a cloud   stands statuesque

 

many deer-hooves behind her fragile

young who turns, tip-hoofs

back to mama, raises its little jaw

 

as high as possible to nudge her gently

under her chin.  I lower my head to nibble on

childhood memories – my parents were like deer:

 

a slight change of an eyebrow,

clenched lips   eyeball roll    forehead lift

spoke that moment’s lesson.

 

When I look back up, mother and child are no more.

 

 

◆    ◆     ◆

 

 

What Say You, Breath?

 

It’s easy to be heavy: hard to be light

— from Orthodoxy by G.K. Chesterton

 

didn’t do what

I wanted

 

did what

wanted me — those deep breaths

 

embraced me in Chesterton’s

virtues of “being light”

 

until light-headed, hunger heavy for

a grilled cheese, tomato, bacon

and the familiar feeling

of being like old vinyl with needle grooved in a scratch

succumbed to gravity’s gravitas

 

 

◆    ◆     ◆

 

 

A Plantation’s Reckonings

— Middleton Place, South Carolina

 

The owners                                      *                      the Enslaved

barons — six generations               *                      3,000

 

portraits                                           *                      slave badges

heirloom silver, porcelain             *                      manservant wool livery

original furniture, jewelry             *

wedding gown                                 *

                                                          *                      in bricks

        *                      slave fingerprints

                                                          *

        *                      re-built

        *                      slave cabin

        *                      several hundred slave

        *                      names, ages, value listed

        *                      home of

        *                      descendant, Eliza, a cook

        *                      until 1986

                                                          *

1,000-year-old

Live Oak

Spanish moss

quietly southern

massages gently

amputated limbs

spirits

touch  stroke bark                                                     feel a settling  a knowing

a  moment                                                                 long tortuous

stay strong                                                                 saga of my race

surviving

for now

no shadows

Contributor
Adriana Stimola

Adriana Stimola is a writer and literary agent. Her poetry has appeared in Santa Clara Review, San Pedro River Review, Driftwood Press, Harbor Review, Slipstream and Soundings East. She sits on the Literary Arts Advisory Committee at Featherstone Center for the Arts and is the Poet Laureate of West Tisbury, MA on Martha’s Vineyard.

Contributor
Ellen Martin Story

Ellen Martin Story is a poet and quilter who exuberantly washed ashore on Martha’s Vineyard some years ago with her husband Melvin after retiring from a career in human resources management. She is a member of Cleaveland House Poets. Her debut poetry collection, Corner Pocket Poems, was published in 2025.

Contributor
Warren Woessner

Warren Woessner’s most recent collection of poems is Exit-Sky (Holy Cow! Press, 2019).  An attorney and Ph.D. in chemistry, he founded Abraxas magazine with James Bertolino.

Posted in Poetry

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