Poetry |

“Outcast” & “Kenosha”

Outcast

Uvalde, Texas, 2022

 

I wish I could

swallow my tongue,

drown the lisp,

and tie my stutter

into a knot. The muscles

in my mouth twitch

as if I want to scream

for help before drowning

in a pool. The mirror

in the bathroom

bounces back the hate

of my fourth-grade class.

It’s like I was supposed to

disappear, but couldn’t,

and instead, I was forced

to walk the halls,

sit in a classroom in a body

not my own. I want

to cut deeper, carve out

the stares, the finger-pointing, the punches…

The sink is dirty,

a pocketknife is stained

with blood, I taste bile,

I haven’t eaten

since yesterday.

A red balloon is in

my throat. I can’t eat,

knowing the taste

of mom’s boyfriends.

My collarbones protrude.

I hate that woman,

her mother, too.

I learned to fight by thirteen.

No one would dare

say to my face, “You’re ugly.

You’re so poor. Why do you wear the same thing every day?”

Like little devils barking

at my feet, shooting

spitballs at the ceiling,

I am more than gum

stuck on the bottom

of a kid’s shoe.

Everyone will know

I saved big for my eighteenth birthday.

You can’t just pretend

I don’t exist.

I have a secret.

 

 

◆     ◆     ◆     ◆     ◆

 

 

Kenosha

Wisconsin, 2020

 

 

Tonight swells

with mobs. It’s like

Call of Duty but in real life.

I’m wearing my army green T-shirt and a baseball cap.

I’m like a soldier,

a white monument,

a moment in time.

Officers thank me

with my rifle over my back.

Kenosha needs me ––

there were trucks burned,

walls graffitied, shops vandalized

for two days straight.

Rioters have lit Kenosha

on fire, and last night,

a car dealership got

burned to the ground.

Not everyone has money

to repair damage from evil.

My job here is to protect

the people and their businesses.

Dad lives here.

Mom drove me here.

I’ve shot targets, know

how to aim. The barrel

gives birth to wind.

Last year, I turned sixteen

and ran a fundraiser

for Humanize the Badge.

A parade of shots bolts

into the air …

  Quick! Run!

Show me your hands!

Others have guns, too.

A man’s after me!

Point blank, I shoot.

Under a streetlight,

I see a head, an island,

a river of blood. His feet

open like palms for prayer.

People are shouting

at me. My knees slap

against asphalt, my rifle

goes from waist to hand.

A handgun gets close.

“Get back!” I shout.

His heart erupts

into a red mass. Another

stumbles to his knees.

Words bounce off

parked cars. My pulse

is throbbing in my ears.

I slow down to raise

my hands to the police

in riot gear. With cotton-

mouth, I shout,

     “I just had to shoot somebody!

    I just had to shoot somebody!”

A police officer looks

at me, shouts, “Get

back home!”

Contributor
Thea Matthews

Thea Matthews‘ new collection of poems is Grime (City Lights, 2025). She is a poet of African and Indigenous Mexican descent, originally from San Francisco, CA. She holds an MFA in Poetry from New York University and a BA in Sociology from UC Berkeley. Her work has appeared in Colorado Review, The Common, Obsidian: Literature & Arts in the African Diaspora, The Massachusetts Review, The New Republic, Alta Journal, and On the Seawall, among others. In 2023, she served as a poet-in-residence at the Museum of the African Diaspora and as a programming curator for the UC Berkeley Art Museum & Pacific Film Archive. Matthews lives in Brooklyn, New York.

Posted in Poetry

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.