Poetry |

“Nothing Takes Me Back Like the Sound,” “Lilith Dreams” & “Lincolnville Beach”

Nothing Takes Me Back Like the Sound

 

 

of two notes out of tune

with one another, wobbling

towards harmony — my mother

 

practicing double-stops on her cello,

Beethoven sonatas, but I knew them

as a series of repeated phrases,

 

repeated, repeated, broken by swearing

or the tap of the pencil as she set it

back on the stand, the same notes

 

repeated until they lost cohesion

with the whole, the way

the word mulch loses meaning

 

after repetition — mulch mulch mulch

mulch mulch mulch mulch 

 

but in the concert hall,

those notes strung together

like stitches form a garment,

 

spun from her, and I’d remember

the scales and the dammits

and the hours she spent

 

in her practice room, door

closed, this work she did: mother

mother mother mother mother.

 

 

*     *     *     *     *

 

 

Lilith Dreams

after Philip Schultz & Rodney Jones

 

 

Last night I dreamed I was the first man to love a woman.

Before me, only women had loved women, and men

loved other men. Our skins were orange and tasted

of ripe persimmon. We took our pleasures secretly

at first but soon grew bold; and when we were discovered,

 

it tore the simple world asunder. There was no mercy.

They separated us, me and my love, sent us

to desert islands tied upside-down to the ceiling

of the galaxy, where we dangled painfully and sighed

sprinkles of stars across outer space: God and Adam’s

 

outstretched fingertips, the moment of creation frozen

so it looks like nothing if not longing. I woke

with my teeth chattering and sweat pouring into my eyes,

knowing I’d been him in the dream but also her, and I

didn’t know which one I missed more. I wandered

 

out of bed and down the stairs, into the yard where my skin

tightened against the chilly air: two eyes blinking open

under my thin t-shirt. My thighs were not my thighs.

I had touched them with someone else’s hands, or else

had my hands gloved in other, until I could not tell

 

where myself ended and that other began. Knowledge

raced away from me like it was holy water and I

was trying to catch it in a cracked cup, yolks leaping

back into their shells and the shells snapping shut,

disappearing back up into some warm dark place

 

beyond a white mass of feathers and wings beating heavy

overhead, shadowing the sky. If at that moment a snake

had offered me an apple, I would’ve snatched it, I was

that desperate. Nothing can soothe the pain of that kind of

discovery and loss. That kind of dreaming and awakening.

 

 

*     *     *     *     *

 

 

Lincolnville Beach

 

 

Fractal facts of our existence

matched us up: we are a species

 

that sees archers, horses, heroes

in the sky. I thought the stars

were made of rock, but you tell me

 

they are churning gas and heat.

The sky is packed with light

 

that’s made of air. Is that right? We pace

the beach, arms around each other’s hips,

search for sea glass as our feet

 

sketch hieroglyphs along the line

where foam recedes, reaches.

 

Quartz and iron, coral, peridot.

Twists of a kaleidoscope. The sky

is everywhere the sand is not.

 

Each rock is made of rock.

Your name’s a gesture, litany

 

of shapes I make from breath.

Repetition doesn’t fade them,

wear them down. With each wave

 

the water magnifies these nubs

of stone that we call sand:

 

tap of tongue to teeth; grit.

Iterations of obsidian, cream, sable.

Limestone, lava, lava, limestone.

Contributor
Lisa Rosinsky

Lisa Rosinsky is a graduate of the Writing Seminars at Johns Hopkins and holds an MFA from Boston University. Her debut novel, Inevitable and Only (Astra Young Readers, 2017) was named a Barnes & Noble “Most Anticipated Indie Novel.” Her poetry has appeared in Prairie Schooner, Cimarron Review, Salamander, Measure, 32 Poems and other journals and anthologies.

Posted in Poetry

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