Poetry |

“Nothing So Beautiful” & “Under all there’s little difference”

Nothing So Beautiful

after the Rosenhan Experiment, 1973

 

Yesterday, my son lay lazily

on a log

shirt stretched between one moment

and the next

along the branches beside him

A book spread open

across his belly

eyes closed

to better sound the confession

of colors in the park

despite the fact that sugar-drenched

bark cut into his back

leaving a red mark

Today, he sits in sterile

silence

the gray wave of doctors

monitoring

the earwig of fear

that crawls in

and out of the years

of rain

in his wracked

brain

Between these two moments

lies a secret room

Where you can still get close to things

Where a tiny ocean laps at your hands

Where you understand the choice

between this life

and this life

Yesterday, I had faith in the spindle

of an aspen

and the taut skin

of a flat blue sky

I knew the alphabet

rolling across the tongue

the way the wind knows far-

flung leaves

Today, I am a body

curled up on my bed

The memory of his fragile

smile bleeding

through teeth and bone

The smell of hope

folding back into the meadow

of another

country

Between the two is a secret room

Where we find this story again and again

Where summer rain slips beneath our feet

Where mind is what we feign waking to

I’m not sure what kind of dream I imagined —

That we were more than stones

cast into this shadow-field

rippling away from ourselves

Translucent trespassers across

this hand-sewn night

Small animals darting out

into the febrile

light

 

 

*     *     *     *     *

 

 

Under all there’s little difference

 

I no longer want to be a person

Maybe a cat walking the fence line

Or a dog barking at a car, a footprint

At the edge of the earth, or nothing at all

Not this nest of silence, this loud drought

Of words, this shiver across a lake

When I was a boy, I would follow any

Dark tunnel into lost, weaving anger

In and out of ribs until I escaped

This world tumbling toward oblivion

Or became a cockroach eating hair and

Dried skin — and still you don’t know what I mean,

Do you, having lived, like me, inside

Another for too long

Contributor
Peter Grandbois

Peter Grandbois is the author of 14 books, the most recent of which is Domestic Bestiary (Spuyten Duyvil, 2022). His plays have been performed in St. Louis, Columbus, Los Angeles, and New York. He is the poetry editor for Boulevard and teaches at Denison University in Ohio.

 
Posted in Poetry

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