Poetry |

“Monday”

Monday

 

This morning it’s the man lifting his bike

across the railroad tracks,

 

passing it up and over the chain link fence

like an awkward companion,

 

and then riding off, a dark figure

heading towards the vanishing point

 

of the concrete canvas I fancy

St. Mary’s parking lot’s become.

 

It’s in these gusts that ferry the weeds

and the three Target bags, blowsy

 

and transparent as jellyfish,

across the tracks and the deserted

 

lot behind him, and in the susurrus

of traffic rolling over the I-35 overpass,

 

where yesterday my student K drove

beneath the crooked legs of a man poised

 

to drop, the way a swimmer might

slip the pebbled edge of some suburban

 

pool.  He didn’t, but still, she writes,

she felt her life divide between the moment

 

his shadow fell across her windshield

and all the ones to follow. I think it must

 

have been in the voices of the cops who

coaxed him down, and in their pulsing

 

squad car lights. In the eyes of the passersby.

I can feel it now, in the rising breeze

 

troubling the switchgrass and the chimes

strung from our porch. It’s in the stray cat

 

making for the light and sound leaking

from our windows. In the robin, watching.

 

 

 — May 11, 2020

 

Contributor
Susan Aizenberg

Susan Aizenberg’s newest collection, A Walk with Frank O’Hara and Other Poems, is forthcoming from the University of New Mexico Press.  She is the author as well of two full-length collections, Quiet City (BkMk 2015) and Muse (Crab Orchard 2002) and of a limited edition letterpress chapbook, First Light (Gibraltar 2020). Recent poems have appeared or are forthcoming in Plume, Cultural Daily, American Journal of Poetry, Blackbird, The Night Heron Barks, I70, and elsewhere.  Her awards include the VCU Levis Prize and the Nebraska Book Award for Poetry. Aizenberg lives and writes in Iowa City. Her website is: https://susanaizenberg.wordpress.com.

Posted in Poetry

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