Poetry |

“Finding Work” and “The Set-Up”

Finding Work

 

In the dream, it was almost

too late. I wondered why

I’d never made a career

making crosswords. Not

the kind everyone

knows, but the kind

no one’s made

yet. I’m good with grids,

I’m terrible with puns.

I like word acts, speech acts.

I hate impenetrable

puzzles sometimes found

in the Times, their smug quips

and privileged clues, caveats

and rare expressions

used in shelved translations

and cryptic best sellers, obscure

ideas meant to make everyone

curious or angry. Both.

 

Is this how some poetry

works? where

you’ll need to know

the first letter of the middle name

of a disgraced prince,

what makes the grass

in the fairy tale glisten?

or the author [trick

question] who drew

that moat, in which part

of the world? What’s

another word for tower,

another word for chill,

the complexion of stone

the color of …  No – wait –

these are clues I might need

to secure a job.

 

Finally –– the bolting

and unbolting, where image

meets text, the wall,

of course, navigable

after all. All things are possible

in my puzzles. I was out of work

in the dream, and really did

need to work, so drawing

from life

was essential. In life I deeply

regret time wasted on subjects

I cared little about. The day jobs,

the lost years. Time.

Eventually ––

I found chemistry, work

where the goal

is to make everything

majestic. Every night

I paint squares on a page

before going to sleep,

a letter becomes

a stain. And still

I keep stroking the page,

and still I keep

leaving things out.

 

 

*     *     *     *     *

 

 

The Setup

 

He ate like someone crumpling a piece of paper. I wish

I’d written that line. I closed the book and

tasted that which can’t

be recovered from. This quelling took me

to my former office and that of an ex-

boss, the old racist, caught and

sued. His bigotry costs him millions

in sensitivity training for all of us, back in the days

when that was punishment, teaching old-

dogs not to get caught.

 

Contributor
Elaine Sexton

Elaine Sexton’s art criticism, poems, reviews, and visual works have appeared or are forthcoming online and in print with Art in America, ARTnews, Art New England, American Poetry Review, Oprah, Poetry, Poetry Daily, Plume and You Are Here: The Journal of Creative Geography. Her fourth collection of poetry, Drive, is forthcoming in 2022 via Grid Books. Formerly a senior editor at ARTnews, she teaches text and image workshops at Sarah Lawrence College, New York University and privately. She is a member of the National Book Critics Circle and a contributing editor of On The Seawall.

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