Poetry |

“Devil Has Questions” and “Devil Vexed by Such Grand, Meandering Duende”

Devil Has Questions

 

 

Tell me: What, at the end, is sharper, having learned better than to be

so guileless, so rosy, or the instinctive way your skin now buckles at those birds

for being the most tempestuous things singing in the river’s fog? Precisely

what doesn’t lessen you to the point of gutting? When you espy a sack

of white landscaping rocks? Chocolate-looking moons? The fever your lover’s hand

imbues you with, without even touching? Sloppy still is lethal, right?

So what do you think will save you? I am taking notes. I am learning

how to worry about what you can’t control, starting with all

the things now burning on the meso-level. I greet them like a wrecked gazebo

greets the rain in a field awash with gray goose dung. At a distance, it may look

like shelter, but there’s nothing really for you there except to stand drenched

in the skin of your best suit. Believe me; I know best and worst are the wrong spectrum

of words for describing what is in fact your only. I know what error is. Or do I

mean terror? Hell, whichever. Let me just state for the record: I stand by every last misuse.

 

 

*     *     *     *     *

 

 

Devil Vexed by Such Grand, Meandering Duende

 

 

Asked to name your greatest failing, I’d say it’s that you’re weak and will not change. It’s not

the view you offer of your options: some days you either take off your hat or let the dog bite you;

some deliver one more canto enchanted by whiskey and figs. I’ve watched you at gatherings,

posture of a balloon stuck on the ceiling, guided by whatever the breeze does to its string,

your face like it caught a whiff of flesh drift in from the larkspur. You thought it takes a lot

of emptiness to be a good person for so long it was too late when you found out it was wrong.

OK. It’s never too late, just very, very hard. Maybe that’s why you tend to envy

painters who attune their awe to things trying to be tender but brutally:

wind bending trees, fur of prey limp beneath their devourer’s weight. I am as grateful as you

someone decided these are beautiful. It confirms: anything can culminate in devotion. A flower.

A fever. Someone smothered in red clay. You should know by now, some things I can accept

in my sleep. Some it pains me to cherish so openly. The way I heard you confess

you didn’t even have to know an object’s origin to adore it, just suspect — whether gently

or with disgust’s abrupt flourish — it was something once received by the rally of her hands.

 

 

Contributor
Charlie Clark

Charlie Clark studied poetry at the University of Maryland. His work has appeared in New England Review, Ploughshares, Smartish Pace, Threepenny Review, and other journals. A 2019 NEA fellow, he is the author of The Newest Employee of the Museum of Ruin (Four Way Books, 2020). He lives in Austin, TX.

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