Poetry |

“Constellations”

Constellations

 

 

On my back at the physical

therapist’s office I consider

why in the tiles overhead

 

the spray of holes

echoes a starfield photograph:

the scatter of them,

 

their mix of sizes — not

the geometric drill of old

lunchrooms, but designed

 

to absorb the manifold

frequencies that make noise

noise. She coaxes

 

my body to relax

against the brouhaha

of nerves dictating strict

 

configurations which the skeleton

accepts by deforming. We taxed ourselves

to give ourselves

 

a better Hubble:

Webb: the bureaucrat

who took to the moon

 

four guys, none of them me

for reasons not restricted

to my back. It’s less about

 

taxes than about being

absorbed. Her next-to-silent

Classical murmurs on. To find a star

 

that moves (planetum, comet, death

-dealing asteroid) we use a blink

comparator: two plates of the same

 

sky, a stereoscope, a button

for back and forth. The speck that jumps

is not of the Fixed Stars. The sky

 

maps well-studied stresses, and we

pick out the squeaky wheel. Did the moon

squeak? We who wished upon

 

going did — and in those same years marched

for budgets for the underclass;

our motto: never

 

zero-sum! Among muscles,

when one wins

and another loses,

 

so do all. All noise

canceled, we can’t tell

that we’re not deaf.

Contributor
Charles O. Hartman

Charles O. Hartman has published eight collections of poetry, most recently Downfall of the Straight Line (Arrowsmith Press, 2024). In 2020 he co-edited, with Martha Collins, Pamela Alexander, and Matthew Krajniak, a volume on Wendy Battin for the Unsung Master series. He is Poet in Residence Emeritus at Connecticut College. He plays jazz guitar.

Posted in Poetry

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