Poetry |

“Mother’s Day” & “Bad birds”

Mother’s Day

 

 

Still I struggle to rise, breathing in the quiet,

trying to believe in patience

as I teach the child to make the bread, to mix the flour and water,

feed the starter so the yeast can grow, keep going

even days after it’s been fed. As something fed me

 

all those years ago — maybe the fact of her will

trapped into screaming or in the aria from Carmen,

the record playing Maria Callas again and again, her pivotal

and triumphant No. How did she learn that

and when, with her hours of waiting tables,

her two-fingered typing the daily menus, how

she put the camellia between her teeth and began,

wildly, to sing.

 

Why did I doubt

that reasonable anger, or her release? Still

I arranged my life to answer hers, every year

sending with a vengeance

the large bouquet, as if to remind her of what I had.

 

 

◆     ◆     ◆     ◆     ◆

 

 

Bad birds

 

are at it again, an endless taking-over

of the bluebirds’ house, overnight

tossing their jumble of sticks over the feathered

lining the better birds have wrought,

pecking tiny holes in the robin’s three eggs

not hidden well enough in the purple-thick clematis.

What a ruckus, what destruction

in their greedy song.  How many times

he has chased them out, dismantling each

nest after nest. And no sign

of the good birds, who are giving up.

The time for the first hatching is over.

My love’s out there day after day: now midsummer

and it’s almost lost, he says, gambling for one more

pair, the hope of another year.

 

*

 

The little birds have nothing to say,

scrambling at the feeder

in their riot of push and shove.

And all for thistle, that slight seed.

They have to eat so much of it

for strength in what’s to come.

Already the goldfinches’ yellow has turned

to dun and ash.

 

Why in October do I love them so?

No more that summer marriage

when green and yellow merged

in the flicker of leaves. Nothing distinguishes them

against the graying bark. Or from the sky’s threat

taking down all the colors of the world.

Contributor
Cleopatra Mathis

Cleopatra Mathis has published eight books of poems, including After the Body: Poems New and Selected, (Sarabande, 2020). She is the recipient of awards from the Guggenheim Foundation, two National Endowment for the Arts fellowships, two Pushcart prizes, and inclusion in Best American Poetry, 2015. Recent publications in journals and magazines include The New YorkerThe Southern Review, Ploughshares, Poetry Northwest, and Plume. 

Posted in Poetry

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.