Poetry |

“Transplants”

Transplants

 

 

Wanting privacy, my mother

fingered the slender, grey leaves,

decided to plant her longing

 

at the edges of the flat half-acre. She pitied

her new home’s raw earth, freshly exhumed

from a dead farm, veiled with drying sod.

 

A nursery clerk sold her on these

invasives — They’ll be 10, 20 feet,

in no time — the city girl believed.

 

Russian olives: They were pale,

yellow-bloomed, exotic, obviously

from elsewhere. Transplants.

 

Maybe even the name: “Russian,”

like her grandparents. She mourned

Manhattan’s buzz while crickets sang her

 

loneliness. She wasn’t sure how she awoke

at 23 in a new split-level, two kids growing

despite her sporadic tending. These sprouts her

 

only try at transforming her blank exurban canvas —

her hours digging and planting soon overtaken

by unmown grass, blooming weeds.

 

Her husband drove nights, slept days.

There was no one to help protect her

bushlings, twined and choked by fierce natives.

 

The neighbors shook their heads,

trimmed box into spheres. Taking

permission only from her shadowless

 

meadow, she sunned, slender and browning

her olive skin in her pale yellow

bikini of budding knots, exposed.

Contributor
Lori Rottenberg

Lori Rottenberg‘s debut poetry collection, The Enchantress Queen and The Ghost Who Made Me, was awarded the 2025 Changing Light Novel-in-Verse Prize from Livingston Press and will be published in 2026. Her poetry, flash, creative non-fiction, and poetry reviews have appeared in in Literary Mama, Naugatuck River Review, Tupelo Quarterly, Pleiades, Mid-Atlantic Review, and december. She holds an MFA in Poetry from George Mason University where she teaches English to international students and poetry to Honors College students.

Posted in Poetry

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