Commentary

Commentary |

on Tremor, a novel by Teju Cole

“He first aligns our sightline with Tunde’s, then pulls our frame back beyond his. It’s the first hint that Cole, once on the front line of the autofiction boom, is up to something new.”

Commentary |

on OCTOBERS, poems by Sahar Muradi

“A diversity of forms, often invented, encapsulate both the experiences of alienation and underlying possibilities for deepening understanding and connection.”

Commentary |

on The Long Form, a novel by Kate Briggs

“… in choosing the hybrid form of the “part-novel” or “novel essay” for The Long Form, Briggs invokes, via quotation, Mikhail Bakhtin’s “conviction that ‘There is never any problem, ever, which can be confined within a single framework.’”

Commentary |

on Lou Reed: King of New York by Will Hermes

“Hermes will often introduce a musical, creative, or romantic partner through the lens of what their common ground was — not a small thing for an artist with whom common ground was hard to find.”

Commentary |

on The MANIAC, a novel by Benjamin Labatut

“AI makes use of a forward-chaining, which describes how one links data together to advance toward a goal, and in some sense that’s how Labatut structures his novel.”

Commentary |

on The Book Eaters, poetry by Carolina Hotchandani

“As Hotchandani’s perspective shifts from that of a daughter to one of a mother, her project considers metaphor as a tactic to explore, define –– and perhaps recover –– a life.”

Commentary |

on Late Romance: Anthony Hecht, A Poet’s Life by David Yezzi

“Hecht had an emotionally rough time as a poet, not due to lack of attention (fiercely ambitious, he was well-situated from the get-go) but because of his deeply serious struggle to work out his poetic ‘take’ on the postwar world.”

Commentary |

on How To Be: Life Lessons from the Early Greeks by Adam Nicolson

“In Empedocles’ fragments Nicolson finds a summation of all he has been interested in — the reconciliation of the here and now with the beyond. The universe is shaped by the battle between the unifying power of Love and the separating impact of Strife, but Love is the primary driver of the cosmic cycle.”

Commentary |

on The Burning World, poems by Sherod Santos

“In the context of his eschatological vision of the world’s critical mass of political and environmental crises, his stark imagery sounds dire alarms with apocalyptic evidence.”