Poetry |

“Woman with a Trump Mask in the Medical Center Waiting Area”

Woman with a Trump Mask in the Medical Center Waiting Area

 

 

I stake out the loneliest corner, away from the TV,

though I can still hear strains of some chipper

reality show. Every other chair’s cordoned off

with black butcher paper. She stands in line, the dark

face-mask half-turned away, but I’m pretty sure

of the word stamped over her mouth.

 

She walks with a limp to the reception window.

Overhead, the light fixture twitches and dims. I slump

down into my phone. A moment later, with a sigh

she lowers herself onto the seat across from me,

those boldface letters, all caps, like a dare.

It’s not the first time I’ve wondered why a woman

 

would wear that name on any part of her anatomy,

which puts me in mind of my mother, the day

we intervened, removed her from her home

and took her to the care facility, the red MAGA

hat she wore I imagined a small rebellion

against us taking away her freedom.

 

I won’t learn why my mother wore that hat.

She died a few weeks ago. And I won’t

ask this stranger about the word on her face,

though I half-smile at her through my mask.

She doesn’t smile back. I understand.

We wouldn’t be here if not for some kind of pain.

 

I glance at the black brace on my hand

then out the storm-darkened window,

my face hot beneath a blue paper mask.

I never saw the room where my mother let out

her last breath, and now I wonder who bent over her

to check her vitals, felt the stillness of the air that morning.

 

The woman in front of me is probably somebody’s

mother, most likely a grandmother, too. My mom

had all but given up on grandkids, but then

my daughter sprung up, as if from a prayer.

There’s a gold chain hanging from the woman’s neck.

It plunges deep into the crevasse between buttons

 

on her red and black checkerboard shirt. I’d wager

it dangles a cross, perhaps the one with her hangdog

savior slumped over it, like the one they handed

my brother along with the ashes.

It’s hard to love yourself, I want to tell her.

But every day, I try to do better than the day before.

 

My mother did her best, I said at the funeral.

It was as true, I imagine, as that other cliché,

the one about her being in a better place now.

But I wasn’t going to think about my mother today,

I mean like this, I say to the lady, though only

in my mind, remembering how my tears startled me

 

the other day in the parent-teacher conference

on Zoom when I said that my daughter had just lost

her grandma, and how this thought took me back

to hearing my name over the intercom

in a department store, my mother frantic

because I’d wandered off in the JCPenney’s.

 

She’s about twenty years older than I,

the woman with a gold-plated Jesus

hanging in the dark valley between her large

breasts, much larger than my mother’s, the ones

that fed me. Though I don’t remember that,

of course. And my daughter doesn’t remember me

 

nursing her, but she knows it happened because

the other day the cat was kneading my belly,

and she said You won’t get any milk out of her, Lucy,

because I drank it all. I told my mother this story

the last time she called, two days before she died.

She was upbeat, like the time after she got kicked out

 

of the first home, put in a place my husband called

the funny farm. One thing I’ll say about the funny farm:

they got her meds right and she seemed happy.

She called us every day. She hated the home

she had to go to after that, the only one she could

afford. We were trying to get her into a better one.

 

Really, we were, I want to say, because the woman

in a Trump mask has eyes on me now.

Probably she’d think I left my mom to die in a shitty

place, that I should have done more. I look down.

A tear rainbows the cracked screen of my phone.

I swipe it away. She’s probably right, I’m a snowflake.

 

Though I want to tell her how grateful I am

for that last call, how we both said I love you

that day. But she’s pulling herself up, her gaze

still fixed on me, then a nod so slight I wonder

if I only imagine it as she turns toward a nurse

with a clipboard, the light from a half-open door.

Contributor
Jackleen Holton

Jackleen Holton‘s poems have appeared in Comstock Review, North American Review, Bellingham Review, Poet Lore, Rattle, Salamander and other publications. She has taught poetry in the schools, edited the anthology California Poets in the Schools, and facilitated writing workshops and readings. She lives in San Diego.

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