Recent Entries:

  • October 23rd, 2016

    We are archaic -- in our sources, impulses, outreaches and aloneness. They say dogs have stereo olfaction -- they can smell two things at once through independent nostrils. Some poets have dual sensors, too – one for the triggering situation, one for the archaic presence within it.

  • October 12th, 2016

    “Literary Fiction is Pin the Tail on the Donkey,” writes Toby Litt, “without being spun round and round, and without the blindfold.” And that’s just for starters. In Litt’s world, you either advocate for the disruptive power of literature or are its misguided adversary. He adds, “Literature makes you realize that you are not an established fact.”

  • September 29th, 2016

    Because You Asked: A Book of Answers on the Art & Craft of the Writing Life, edited by Katrina Roberts (Lost Horse Press)
    On the Burning of Books by Kenneth Baker (Unicorn Press)
    The Fate of Ideas, essays by Robert Boyers (Columbia University Press)

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  • September 18th, 2016

    In October 2015, Hindi poet Mangalesh Dabral was awarded the Sahitya Akademi prize by India’s National Academy of Letters. He turned down the award and its cash prize in protest over the death of the scholar M.M. Kalburgi, a progressive voice among a caste group called the Lingayat. Dabral was objecting to a wave of intolerance and increasing violence against minorities and dissenters.

  • September 8th, 2016

    Born in 1961 in Eisenkappel, Austria, Maja Haderlap worked for twenty years as a dramaturg, university lecturer, and cultural critic. In the 1980’s, her three books of poems drew attention for their unique lyricism and perspective on the experiences of Slovenian Austrians.

  • August 29th, 2016

    Jesse Ball’s novels clarify their unconventional premises and intentions according to their own natures. As a genre-shuffler, Ball draws you in through mastery of voice and context – strangely valid accounts of strangely familiar worlds. His processes demand as much recognition as his plots; his characters collude in gratifying the demand.