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on Paris Portraits: 1925-1930 by Berenice Abbott, ed. by Ron Kurtz & Han O’Neal (Steidl)

In 1918 at age 20, Berenice Abbott borrowed twenty dollars for a train ticket from Springfield, Ohio to Manhattan. She enrolled at the Columbia School of Journalism and dropped out after one week. Sculpture, she decided, would be her métier. “I was scared of New York, scared of America,” she wrote later. “I wasn’t commercial.

on Vinyl Freak: Love Letters To A Dying Medium by John Corbett (Duke University Press)

If you grew up in the age of vinyl, you can probably name the first 45’s and LP’s you owned. The relationship with the music was physical: handling the disks, peering at the cover art, re-reading the notes, and attending to the turntable.

on Hue 1968 by Mark Bowden (Atlantic Monthly Press) and Mourning Headband for Hue by Nhã Ca, tr. Olga Dror (Indiana Univ Press)

In his early career as a staff writer for the Philadelphia Inquirer, Mark Bowden wrote a breakout feature on Joey Coyle, an unemployed longshoreman who found a bag stuffed with $1.2 million on a Philadelphia street.

on Experimental Animals: A Reality Fiction by Thalia Field (Solid Objects)

“As too often happens at night in my room, dread freezes my body, then the bed, apartment, the streets as I picture them, the wider city, the countryside, the heavens – everything is stranded and still – until a raspy whine pulls me to a rabbit in a box in the kitchen. She is cut practically in half, and relaxes into death when touched on the head.

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